Friday Random 10

For no particular reason, this one's for you, Mr. Halberstam, wherever you are ...

1. The Barenaked Ladies, "Sound of Your Voice"
2. Jim Carroll, "Them"
3. Fang, "The Money Will Roll Right In"
4. Belle & Sebastian, "I Love My Car"
5. The Beatles, "Eleanor Rigby/Julia [Transition]"
6. Chuck Berry, "Thirty Days"
7. The Slackers, "Married Girl"
8. The Young Fresh Fellows, "Don't You Wonder How It Ends?"
9. Bobby Vinton, "Blue on Blue"
10. Jane's Addiction, "Ain't No Right"

Ho, Ho, Ho

Jesus H. Christ. Enough already.

So Don Imus said a stupid, tasteless, racist thing. In our strangely schizophrenic culture, where political correctness thrives alongside mean-spirited shock, that is enough to put a screeching end to a nearly 30-year career.

Now don't get me wrong. I'm no Imus fan. The guy has a lengthy and ignominious history of racism, anti-Semitism and homophobia. He's a prick, OK. His irascibility always struck me as more tiresome than endearing, and I never really understood why such Beltway pundits as Maureen Dowd, Jonathan Alter, Paul Begala and the like were deferential to him while tripping all over themselves to be on his program. Such politicos weren't ballsy enough to go on Howard Stern (who likely wouldn't have any interest in talking to them, unless they were on the Sybian), but Imus was irreverent enough to give the talking-head types a bit of hipster credibility.

And now Imus has been reduced to mea culpas before a dangerous demagogue like Al Sharpton. Now he is eating shit doled out by Jesse "New York is Hymietown" Jackson. And now he is out of a job.

CBS President and CEO Leslie Moonves has placed the Imus fiasco in the context of the ever-wheezy culture war:

"He (Imus) has flourished in a culture that permits a certain level of objectionable expression that hurts and demeans a wide range of people. In taking him off the air, I believe we take an important and necessary step not just in solving a unique problem, but in changing that culture, which extends far beyond the walls of our company."

Yeah, when I think of a network gutsy enough to change the culture, I think of the home of Survivor and Big Brother.

Listen, we're a big, tough, grownup country, and one presumes Rutgers' women's basketball team can withstand the ill-considered taunt of a cranky old fart. I don't fault CBS for booting Imus off the air; that's the company's prerogative. But I do think the furor over a bone-headed remark -- and how it subsequently has been amplified in the mass media -- is more reflective of a hypocritical, weak-kneed, squeamish society that feigns offense while simultaneously dishing it out at will.

Friday Random 10

Happy Friday the 13th, you superstitious nutjobs, you.

1. Shelby Lynne, "If I Were Smart"
2. Tim Hardin, "How Can We Hang on to a Drean"
3. XTC, "The Man Who Sailed Around His Soul"
4. Poe, "Haunted"
5. Dianne Reeves, "Solitude"
6. Television, "See No Evil"
7. Derek & the Dominos, "Key to the Highway"
8. The Kinks, "Dedicated Follower of Fashion"
9. Frank Black, "Headache"
10. The Pixies, "Something Against You"

Grindhouse Memories

I don't care if Grindhouse apparently tanked in its opening weekend (although, in retrospect, maybe the Weinsteins should have figured that Easter isn't the best time to roll out a movie with more eye-gouging than a Greek tragedy) -- I'm still coasting on a post-Grindhouse buzz.

As such, I've been reminiscing lately about some of my favorite grindhouse and exploitation flicks over the decades. Since this is my blog and what I say goes, I'm sharing some of my own personal faves. Click on the poster to be taken to the film trailer .... And remember: It's only a movie.

Kurt Vonnegut, R.I.P.

1922-2007

“Like so many Americans, she was trying to construct a life that made sense from things she found in gift shops.” Slaughterhouse 5

“1492. As children we were taught to memorize this year with pride and joy as the year people began living full and imaginative lives on the continent of North America. Actually, people had been living full and imaginative lives on the continent of North America for hundreds of years before that. 1492 was simply the year sea pirates began to rob, cheat, and kill them.” Breakfast of Champions

“A purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.” Sirens of Titan

Return of the Grindhouse

I was not born a movie geek. It came gradually, with careful nurturing at Saturday matinee double-features (at the long-since-defunct Will Rogers and May Theaters in Oklahoma City) and the instruction of others. Back in my high school days, I had a brother in law, since deceased, who schooled me in the world of exploitation pictures: slasher movies, no-budget sci-fi, sex-starved girls-in-prison flicks, biker pics, blaxploitation, hot-rod car chases and on and on.

It was, in a word, paradise.

I immersed myself in them all, with a number of them -- Dawn of the Dead, Death Race 2000, The Green Slime, The Texas Chainsaw Massacre, Blood Feast, Last House on the Left, Beyond the Valley of the Dolls -- becoming as much a part of my formative years as Winnie the Pooh and sneaking peeks at my best friend's father's stash of Playboys. Some of the movies were classics of trash aesthetics; most were not. But almost all were masterpieces of the visceral, bristling with energy, enthusiasm and gloriously driven by matters of the Id.

Often made by people whose talents were outmatched by their imaginations, the exploitation movies I gorged myself on during that period instilled in me a deep and abiding love of cinema, both good and bad.

Somewhere in movie heaven, if there is such a place, that dear departed brother in law, whom I'll call Mitch, must be beaming with the release of Grindhouse, the Robert Rodriguez/Quentin Tarantino homage to those trash epics of yesteryear.

Even if you haven't seen Grindhouse by this time (and if you haven't, get thee to a multiplex post haste), you probably know the essentials about it. It's a double feature; Rodriguez directs the zombies flick Planet Terror, while Tarantino helms the car chase/serial killer gem, Death Proof. Between the two, there is a slate of wonderful ersatz movie trailers (Don't and Thanksgiving are particular standouts, so hilariously rude you might just lose control of your bladder before all is said and done) and an advertisement for a very dicey restaurant. And throughout this three hour, 12-minute extravaganza, there is unbridled gore, violence, car crashes, rock 'n' roll and insanely hot women.

It is wickedly funny, wickedly gross and just plain wicked. Planet Terror is a kit and caboodle of bad taste that runs the gamut from a go-go dancer with a machine-gun filling in for a prosthetic leg (an iconic, salacious turn by Rose McGowan) to a villain who collects the testicles of his enemies. The more refined of the double-feature, Death Proof, sports an ace performance from Kurt Russell, genuine chills and a car chase worthy of the greatest such scenes in movie history (which, in my book, includes The French Connection, Bullitt, Diva and To Live and Die in L.A.).

But it's the overall vibe of Grindhouse, its singular experience, that makes it such an irresistible, pulpy buzz.

It is celluloid Jägermeister without the boo-face.

It is a hot fudge sundae heaped on the bare midriff of a Vegas showgirl.

It is a piñata burgeoning with narcotics and condoms.

And I can't wait to see it again. Thank you, Quentin and Robert. And thank you, Mitch.

Friday Random 10

In my baby steps effort to get this once glorious blog back on track (OK, so my definition of "glorious" is a bit flexible), I offer you a return of the Friday Random 10. Today's Random 10 is dedicated to Turtle, who never gave up ...

1. The Arctic Monkeys, "A Certain Romance"
2. Kiss, "Hard Luck Woman"
3. Jonny Lang, "Lies to Me"
4. The Barenaked Ladies, "What a Good Boy"
5. Bobby Charles, "See You Later, Alligator"
6. David Bowie, "Always Crashing in the Same Car"
7. Dianne Reeves, "Too Close for Comfort"
8. Kanye West (and featuring Brandy), "Bring Me Down"
9. Lucinda Williams, "Lake Charles"
10. Fountains of Wayne, "All Kinds of Time"

Horsing Around

Speaking as a fan of documentaries, I have a deep appreciation for what has been a sort of renaissance for documentarians. I love documentaries -- their diversity, their adventurousness, the curiosity and fearlessness they exhibit in introducing moviegoers to new worlds and new ways of thinking.

Then I came across a recent New York Times story about a new documentary titled Zoo. The flick chronicles the real-life case of Kenneth Pinyan, a 45-year-old Boeing engineer who died after complications arising from sex with a horse. A native of Washington state, Pinyan died of a perforated colon. 'Nuff said. Or would that be Neigh said?

Zoo's co-writer, Claude Mudede, told the Times that he and collaborator Robinson Devor looked at the case of Pinyan -- whose Internet handle was "Mr. Hands" -- and his horse-humping friends and resolved to "revive their humanity":

"Zoo strives to liberate Mr. Hands from his posthumous fate as tabloid punch line. It allows the friends of the dead man a means for disclosure and dares to find, in their candid accounts of their desires and the hidden worlds where they were fulfilled, something strangely beautiful and even recognizable.

“'It was fascinating that there was a community of close friends, that there were basic human interactions happening alongside things that seemed completely alien,' Mr. Mudede said. Zoo minimizes its freak show aspect by emphasizing the coexistence of the mundane and the bizarre ... What emerges here is a sad, even tender portrait of a group of men who met from time to time at a farm, where they would drink slushy cocktails, watch some television and repair to the barn to have sex with horses."

An endeavor to "revive their humanity," huh? You don't say. Seriously?

Let's not beat around the bush: Pinyan fucked a horse. And if you'll forgive the candidness, the guy died from a perforated colon -- which is to say he didn't merely fuck a horse, he evidently went to the trouble of horseplay foreplay, working Mr. Ed into a libidinous lather for the purpose of then, er, umm ... taking the horse.

My contention is this: Yes, there was obviously a humanity to Kenneth Pinyan. He had a family; he had friends; he likely told a good joke and probably donated to Jerry's Kids.

But, surely, not everyone's humanity necessarily calls for revival. This was animal abuse, after all (there is no evidence the farm fling was consensual). I have not seen Zoo, I will admit, and so I'm relying on the Times story as an accurate representation of the film. But it strikes me that a movie about horse-diddling that strives for "something strangely beautiful and even recognizable" is missing the filmmakers' own humanity.

The Writing on the Wall

By Conrad Spencer

As a parent, there are certain milestones you look forward to with great anticipation -- your child's first step, first words, starting kindergarten. Few things are as cool as when your child sits down and reads you a Dr. Seuss book. Literacy, however, has its dark side.

My son, 6 years old and in first grade, is reading exceptionally well. In fact, he's committed himself to reading 100 books during the month of April. He's already up to 23.

Last night my family and I went out to a Chinese restaurant in Shawnee (an old Western Sizzlin' turned King Buffet) because the marquee advertised a new sushi bar. We live 40 miles from the nearest sushi so this is a great development in my life, even if the sushi itself was mediocre at best.

In the middle of the meal, my son announced his need to potty. I took him to the facilities. He enters the stall and, while doing his businesses, says "Dad, there are words all over the wall!"

"Really?"

"Yeah! 'Hit that...that...puss-ee all night long.' What does that mean?"

"Nothing. Nothing at all. C'mon, let's wash your hands."

It's hysterical, but ...

Maybe I'm overly sentimental, or I just read too much.

“But while I was sitting down, I saw something that drove me crazy. Somebody'd written ‘Fuck you’ on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it, and how they'd wonder what it meant, and then finally some dirty kid would tell them - all cockeyed, naturally, what it meant, and how they'd all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it.

****

"I went down by a different staircase, and I saw another 'Fuck you' on the wall. I tried to rub it off with my hand again, but this one was scratched on, with a knife or something. It wouldn't come off. It's hopeless, anyway. If you had a million years to do it in, you couldn't rub out even half the 'Fuck you' signs in the world. It's impossible."

--J.D. Salinger

One Issue at a Time ...

One problem with elections for federal office -- there's just soo much to remember. Economic policy, defense, trade matters, social issues, special interests, yadda yadda yadda ... it's enough to make one's pointy little head spin.

Which is exactly why Republican primary voters can rejoice today. Single-issue demagogue U.S. Rep. Tim Tancredo of Colorado has tossed his xenophobic hat in the presidential sweepstakes for 2008.

The Denver Post reports that "Tancredo's candidacy will be focused almost entirely on immigration issues."

Just what this country needs, a candidate who can be even more simplistic than the guy already in office.